In addition, there is variation between weights: notes that even comparing one size (20pt), the medium and bold weights have different, cap height and descender length to the light and regular weights. Blackletter was still for general-purpose use in Germany in the nineteenth century.Īs is normal in typefaces cut during the metal type period, Akzidenz-Grotesk shows variation between sizes of metal type, with adaptation of letter-spacing and proportions to different sizes. Describes this as a common feature in German sans-serifs of the period and influenced by the tradition of, which uses a single-story 'g' in upright composition. The 'g' of Akzidenz-Grotesk is a 'single-storey' design, like in many other German sans-serifs, but unlike the double-storey 'g' found in most serif faces and in many of the earliest sans-serifs that had a lower-case. The capitals of Akzidenz-Grotesk are wide and relatively uniform in width. This is most visible in the quite folded-up of letters such as ‘a’ and ‘c’. Modern type designer has described the general design of Akzidenz-Grotesk and its ancestors as similar in letterforms to the serif fonts that were standard printing types in the nineteenth century, such as, and their followers. This gives a sense of simplicity and an absence of the adornment and seen in many more decorative sans-serifs of the late nineteenth century influenced by the style. Like most sans-serifs, Akzidenz-Grotesk is 'monoline' in structure, with all strokes of the letter of similar width. Digital variants of Akzidenz-Grotesk, showing the slight inconsistencies and idiosyncrasies between different weights and widths. It has sometimes been sold as Standard or Basic Commercial in English-speaking countries. Its simple, neutral design has influenced many later faces and became commonly used and influential as an element of the popular of the 1950s and 1960s. Originating during the late nineteenth century, Akzidenz-Grotesk belongs to a tradition of general-purpose, unadorned sans serif types known as that had become dominant in German printing during the nineteenth century, and became one of the most popular examples of this style.
Akzidenz means a 'commercial' typeface for trade printing such as publicity, tickets and forms, as opposed to typefaces intended for decorative or book use. Available immediately and free download!Īkzidenz-Grotesk Date released 1898 (?) Akzidenz-Grotesk is a family originally released by the of. Berthold Akzidenz Grotesk Extra Bold font detail page. Preview Berthold Akzidenz Grotesk BE Extra Bold Condensed font from. Download free fonts for Mac, Windows and Linux. Berthold Akzidenz Grotesk Extra Bold Condensed Free Download 8,0/10 9872votesĭownload akzidenz-grotesk bq extra bold condensed alt font with extra bold condensed alt style.
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